Pencil studies, self-portraits, classwork, and facial studies from the sketchbook archive.

Pen drawings made as focused studies where each mark carries a degree of risk.

Charcoal studies and early classwork drawings, including works made on larger cardboard and paper.

Brush-and-ink drawings built through concentration and free translation of stories onto paper.

Colour studies and acrylic experiments documented alongside the drawing practice.

Gouache-based drawing and colour studies from the archive.

Works combining drawing with more than one material or process.